The Feathered Ancestors

The Feathered Ancestors began arriving in the early 2020s, during a time of rapid change, fear, and collective unrest. In those years, these beings came through one by one — birds in human form, humans in bird form — speaking from a place old, bone-deep and beyond language. Each flew in carrying knowledge, companionship, and guidance for the thresholds being crossed.

These Ancestors are intimately connected to the land on which I live in Australia — the Country of the Wangerriburra people of the Yugambeh Nation. Some of these birds I see every day, some visit seasonally, and all hold a deep-time presence here. Their teachings move through me in the way I draw them, collage them, and write for them. I felt honoured that they chose to come through me, asking to be remembered.

Each ancestor began as a hand-drawn figure in charcoal, pencil, or pen. Later, I wove them with digital imagery to create new landscapes and stories — custom pieces for those who felt drawn to a particular bird-being or who needed a specific guide for their own passage. Every commissioned ancestor is paired with a personalised poem, a small ritual of remembrance.

Below, you are invited to explore the Feathered Ancestors and their stories. Selected custom prints are also showcased, each accompanied by its own poem and the guidance it carries.

The First. and. the Last

A digital art and poetry series remembering and restoring the female body and form as the first and forgotten symbol of creation itself.

Featuring roses tended to and gathered from my garden — offered to the Goddess and carried as living emblems of creation, cycles, beauty, and the Deep Feminine.

The First God

The Cosmic Rose,
rose with the morning dawn
spilling light from the heavens onto what was to come forth,
to be born,
And She,
gathered herself from the dark womb of the living ground,
the ancient loam
the first bones
waking,
assembling their shape to a sound older than time
primordial,
territorial
forging through skin made of molten rock and fire
a thousand years rumbling,
tumbling,
deep thunder humming
She emerges!
with her breasts in her hands
her thighs
her hips
shifting and sifting
mountains of sand
She rises!
with the moon in her womb
birthing waters open
carving the land and filling the oceans
dreaming the wild earth into being
Her scripture is written in
the riverbeds,
the tree roots, the wild fruits
the oak bark and the meadowlark
the hills crest and robin’s nest
Eagle’s cry and the Open Sky!
the fox’s trail and the autumn harvest gales
Oh! smell the sweet pine cone and the winds that moan
in whale song,
She belongs,
We belong,
to Her
Woman of the Earth
She is Creator
She is the First and Final Mother
The Original Body
The First God

 

 

The First Supper

It was the Goddess who sat at the first table

Above her, the red rose opened from the heavenly stars,

its petals and blood falling into the golden chalice,

the Grail, the First Womb, the sacred vessel from which all Life would come

Serpent, rose behind it, shedding blessings,

Keeper of the Mysteries,

Guardian of the ancient covenant between death and rebirth

It was the Goddess who  broke the first bread,

Opened the pomegranate and  blessed the feast

She drank from her own chalice and received the sacrament of creation itself

Rose became Blood. Blood became Life. Womb became World.

This was the First Supper

And all who came after ate in remembrance of the Goddess,

who made of her body,

a Grail,

and of her Grail,

a Universe!

The First Eucharist

For the First Eucharist was not bread upon a table

but the moon in the hands of the Goddess.

Beneath the silver chalice of night

the Dark Moon unfurled,

black velvet rose dripping with the wet force of life,

the breath held in the lungs of The Great Vastness,

the cosmic amniotic sea where all things get born and return too

Red Moon of blood and memory,

petals heavy with the ancient tide

singing the rhythm of infinite thresholds crossed,

Keeper of the Cycles!

She is the living covenant between body and cosmos

She who creates without demand!

She who bleeds without dying..

..and so White Moon of resurrection,

the vow that what falls will rise again,

that what breaks will be remade

She who offers her self again and again.

She who is consumed yet never diminished!

She who is whole even in her breaking

And so the moons turn in her muddied and bloodied hands

black, red, white

each a face of the same eternal mystery

Each a Eucharist older than the scriptures we have been told,

older than fire

It is the Goddess, The Mother, The First God

and to worship Her is to remember that we, too,

embody tides and roses,

darkness and dawn,

death and return

We are the fragments she breaks

and the wholeness she restores

She is the Eucharist,

in which we eat and remember

the ever turning, endless star-studded circle,

with the moon in our hands.

Yeshua and Miriam (Mary) Magdalene

This artwork and poetry series is an invitation to meet Yeshua and Miriam, as humans of the earth — wanderers, lovers, activists, truth-seekers, shaped by land, by struggle, and by the holiness of being alive.

Guided by two feathered ancestors who came forward to speak for Yeshua and Miriam- Diamond Dove and Whistling Kite/Green Man, each piece is hand-drawn with charcoal, pencil, pen and water colour and later woven with digital imagery.

These artworks hope to bring Yeshua and Miriam back into their humanness — their flesh, their breath. They were people living under an oppressive empire, navigating rising violence, scarcity, and fear. I longed to return to their flesh‑and‑earth story: the dirt between their toes, their wanderings through olive groves, forests, riverbanks and ocean lines. For me, a story far more human and believable than the versions later shaped and forced upon by a few in powerful places.

These pieces and accompanying poems honour Yeshua and Miriam as humans of the earth, carrying the word of love in their bodies, their voices and in the land they walked.